Starting All Over Again
Mel & Tim

Released 1972 on Stox, Stax, ZYX

Available on: , CD, CS, LP

 
Track No. Song Title Length
1. Don't Mess With My Money, My Honey or My Woman 3:38 
2. Starting All over Again 4:05 
3. I May Not Be What You Want 3:07 
4. Carry Me 3:43 
5. Free for All 2:38 
6. Heaven Knows 3:52 
7. Wrap It Up 2:21 
8. What's Your Name? 2:52 
9. I'm Your Puppet 2:58 
10. Too Much Wheelin' and Dealin' 2:48 
11. Forever in a Day [*] 4:33 
12. It's Those Little Things That Count [*] 3:02 
13. The Same Folk [*] 3:20 
14. Yes We Can Can [*] 4:12 
Pete Carr
Guitar, ?
Muscle Shoals Horns
?
Mel & Tim
Main Performer
Barry Beckett
Keyboards, Producer, ?, Mixing, Rhythm Arrangements
Barry Burton
Engineer
Harrison Calloway
Trumpet, Horn, ?
Ben Cauley
Trumpet, ?
Phil DeLancie
Remastering
Donald "Duck" Dunn
Bass, ?
Ronnie Eades
Sax (Baritone), ?
Mack Emerman
Engineer
Roger Hawkins
Percussion, Drums, Producer, ?, Rhythm Arrangements
David Hood
Bass, ?
Clayton Ivey
Organ, ?
Jimmy Johnson
Guitar, Guitar (Rhythm), ?
Mike Lewis
?, Horn Overdubs, String Overdubs
Jerry Masters
Bass, Engineer, ?, Remixing, Mixing
Randy McCormick
Keyboards, ?
Steve Melton
Engineer, Assistant Engineer
Memphis Symphony Orchestra
Strings, Horn, ?
Knox Phillips
Engineer, ?
Dave Purple
Remixing
Rhodes-Chalmers-Rhodes
Vocals (Background)
Charles Rose
Trombone, ?
Harvey Thompson
Sax (Tenor), ?
Ralph Rhods
Assistant Engineer
Sam Phillips
Vocals (Background)
Phil Carroll
Art Direction
Mel Hardin
Vocals
Tim McPherson
Vocals
Gilles Margerin
Design
Maldwin Hamlin
Photography
Zinnie Tanno
Trumpet
Johnny Allen
Arranger
Mel & Tim were a classic Chicago soul vocal duo, recording in Muscle Shoals in the deep South for Stax and making records that fit comfortably next to those made in Philadelphia. It may sound incongruous, but their 1972 album, Starting All Over Again -- released on CD with four bonus tracks -- is a wonderful record that blends the sweet production of Philly with tight southern rhythms and Windy City harmony. And that's not even mentioning an impeccable set of songs; many written or co-written by Phillip Mitchell, along with sharp covers of soul classics like "Wrap It Up" and "I'm Your Puppet." The title track is a stone masterpiece -- an epic tale of a couple trying to repair their love -- but the rest of the album isn't far behind. In fact, it ranks as one of the finest soul albums of the early '70s. ~ Stephen Thomas Erlewine, All Music Guide

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